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The orchestral introduction to the opera "Faust" is not intended to cover the whole range of images of the opera meaning and purpose of it - to oppose the wisdom and austerity of the old Faust, free expression of feelings for Valentine's Day.
The prologue of the opera (in the office of Faust) is devoted to Faust, a philosopher. It is divided into two stages. Orchestral introduction to the first of these, close to nature and meaning of the initial section of the orchestral introduction, introduces a detailed monologue of Faust, interrupted by a chorus coming out of the scene. Faust monologues enough free composition, based on the constant alternation of recitative and chorus scenes. It has its own dynamics, the different phases of development takes place, from the sad thoughts at the beginning of a passionate outpouring of angry despair and at the end. The orchestra is not limited to the role of accompaniment, and enhances the expressiveness of the recitative. Music Choir appears for the first time in a party band in the form of an idyllic pastoral folk tune, which introduces both a semantic and genre contrast. This tune reminds Metroritm Barcarolle, it brings comfort to busy reciting a monologue of Faust;
The second scene prologue associated with the emergence of Mephistopheles. It is not separated from the sharp edge of the previous scene, and it is perceived as a direct extension: Faust's monologue before the appearance of Mephistopheles reaches its highest expression. He is accompanied by a rapid, break off passages and sharply accented diminished seventh chords, tremolo excited.
The duo Faust and Mephistopheles is far from the traditional ensemble. It is rather a dialogic scene, written in three-part form with a sharply contrasting middle section. In the extreme parts of the dominant image of Mephistopheles, in the middle - Faust. Her aria here conveys a joyous delight in life, a real sense of my youth returned. Conclusion duo-apotheosis on the topic of youth returned. Thus, the value of Faust and Mephistopheles scene in the drama of the opera is huge: It is a musical and dramatic complication of the Opera and the main characters of the exposure, typical of each actor range of melodic, rhythmic and harmonic means of planned already here.