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Siebel image in the opera "Faust" is in extricably linked thematically, stylistically and emotionally with the image of Marguerite. His youthful spontaneity, naive simplicity is best revealed in a scene in the square of the first act and the verses of the second act. Siebel couplets - a vivid example of putting style features the song by the composer of the opera, the music connection works with other genres (in this case with the waltz). Strophic form intonational structure and the orchestral accompaniment of this issue suggest the use of Gounod's most typical features of French domestic romance. Youthful impetuosity Siebel passed up aspiring melody, gradually "conquering" his peak, tremulous chord accompaniment. Couplets Siebel inextricably linked to other scenes and images of the opera: the recitative accompanied by the orchestra, which separates two verses, a topic related to Margaret, the scene with Faust on?
Square and sharp chords that characterize the Mephistopheles in the Prologue.
Especially great importance in the opera of the second scene of the first act (scene continued in the area), which is almost entirely a media scene. Against this background is tie the lyrical line of the opera - meeting Margaret and Faust and Mephistopheles quarrel with Valentin, Siebel, Wagner, that is, the first collision of irreconcilable forces. Both episodes are each further development in the opera. The whole picture is rather large in size. It is built on the principle of concentric tracks. Central

Enormous role in the opera crowd scenes and genre scenes. They not only set off the development of drama, but sometimes intertwined with its nodal moments. Such, for example, the chorus (backstage) in the prologue, which has already been discussed, much choral scene of the first scene of the first act with a variety of choirs (such as students, soldiers, citizens, urban dwellers). Each has its own character: the soldiers - some heavy, the townspeople, playful, with urban dwellers - graceful dance. Even at the time of the merger in the overall sound, they retain an individual color. In the third act of prayer choir and then a military march and chorus of soldiers abruptly set off emotional drama Margaret.

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